Stasiun2 televisi yang saya sebutkan ini sudah sering menyiarkan film2
mandarin berbau mistis yang telah merusak citra agama Buddha, menyebabkan
orang salah pengertian yang menganggap agama Buddha adalah agama berhala yang
hanya mengajarkan mistis saja.
Saya mengkritik RCTI,SCTV,Indosiar,tentu orang lain juga ada yang sependapat
dengan saya.Film2 setan mandarin yang ditayangkan ke-3 stasiun televisi
swasta itu telah merusak image agama Buddha yang sebenarnya. Terus terang
banyak orangg yang tidak senang dengan penayangan film2 mistik mandarin
tersebut.Saya mohon jika ada staf redaksi dari ke-3 stasiun televisi tersebut
ada yang melihat posting saya ini, harus ditanggapi dengan sebaik2nya.
Tidak perlu umat Buddha mengumpulkan 1000 tanda tangan untuk menunjukkan
bahwa banyak umat Buddha tidak senang akan penayangan film2 mistik mandarin
ini. Film2 seperti Sun Gokong, Dewa Pengemis sama sekalli bertentangan dengan
ajaran Buddha jika menayangkan film2 seperti itiu akan menimbulkan persepsi
negatif terhadap para Bhikkhu yang sebenarnya, bahwa sikap mereka sama
seperti yang terlihat diTV.Bhiksu2 diTV dipermainkan ,kepala mereka
digetok,waktu tidur makan lalat, semuanyaa dieksploit habis2an, ini sudah
merendahkan/melecehkan agama Buddha.
Nb : Untuk umat Buddha diNusantara, jika anda benar2 beragama Buddha sejati,
tidak perlu anda menonton film2 mistik mandarin ini, jika anda menonton film2
mistik mandarin ini, anda bukanlah umat Buddha sejati. Sampai kapan
penayangan film2 ini berhenti jika kita diam saja dan asyik menikmati film2
ini, kita bisa protest dengn surat,e-mail atau apa saja kestasiun2 televisi
yang menayangkan film2 mistik mandarin. Sayaa heran sewaktu Hari Raya Vesak
tidak ada film tentang Siddharta Gautama sama sekali, malah besoknya banyak
film2 mistik mandarin membabi buta. Akhir2 ini banyak film2 mandarin bukan
mistik,tapi menayangkan bhiksu2 sedang baku gebuk, ini juga sama merendahkan
agama Buddha,karena menggambarkan Bhikkhu senang main gebuk. Terima kasih.
Selamatkan ajaran sejati dari Sang Buddha !!!!!!!
nie saya dapat dari sebuah kolom berita di google!!!
trus jdi pda perang antar beberapa agama yg lain di sini... ada yg punya pendapat mungkin
hm.. repot banget umat buddha harus memilah2 menonton film yang beredar, yang sebaiknya di lakukan adalah dengan bijaksana menilai apa yang di tonton. Itu baru umat Buddha sejati ... ;)
Yaps,
Memang penyesatan Informasi akan Buddhism,
Namun juga promosi terhadap Buddhism :D
dan mengenai Bhikku saling gebuk...
errr.... hare gene ada yg percaya Bhikku bisa terbang ? =))
Mengenai monyet2x sakti, dewa pengemis...
Itu adalah Keragaman kebudayaan...
Yap, yang paling gw suka, Shaolin Popeye :))
eh. pembantu gue agamanya muslim paling suka nonton film sun go kong,.. siapa tau gara-gara sungokong dia bisa jadi tertarik agama buddha.. :))
Ampun deh...
Dikasih tau malah ngejoke pada...
Hoam...
Capek dueh...
Setuju gue mesti ada suatu hal yg dilakuin...
Krn sdh melecehkan agama Buddha(maaf gw disni bukan provokator/pemanas/apa lah)
jIka bkn umat Buddha yg angkat bicara siapa lagi???
Mungkin ada berkata dengan bijaksana menilai apa yang di tonton.Itu buad yg ngerti ttg ajaran Buddha.
Bagaimana ttg umat awam lainnya???
Jgn egois please...
Gw tau dhamma kalian yg dsni uda sangat luas...
Tp inget umat awam masih banyak yg debu dikotorannya...
Jd bukan soal mau diributkan/kgk...
Ne mank sudah melecehkan umat Buddha sendiri...
Sekian dan terima kasih...
_/\_
Nampaknya riky terlalu serius berpikir, santai saja bung ;)
Jadi bagusnya gimana mengatasi keadaan ini, riky? Demo di depan RCTI, SCTV dan Indosiar ? Kirim Petisi ? Bakar ban di depan kantor RCTI , SCTV dan Indosiar ?? , atau lapor presiden republik Indonesia bahwa RCTI, SCTV dan Indosiar telah melanggar dengan menyiarkan film yang melecehkan agama Buddha ? 8)
gw suka nonton semua shaolin popeye, sun go kong, chi kung si dewa pengemis trus apa lagi yang lain ... lucu ceritanya dan menghibur ... mengapa tidak menikmati film tersebut, malah ruwet2 mau cari protes ? :hammer: Diri sendiri belum beres, ndak perlu berpikir terlalu jauh dl ... Urus diri sudah bener, baru urus yang lainnya. ok :)
Terlalu banyak pikir. Kenapa tidak protes film Rambo saja? itu kan bertentangan dengan semangat buddhisme yang cinta damai. Protes soal filem2 di atas mencerminkan sikap fanatisme yang picik. Ajaran Buddha universal tidak melekat pada bentuk2 luar buddhisme yang konseptual. Kalo benar2 mau protes, semua tayangan yang tidak mendidik, vulgar, lawak yang tidak bermanfaat utk kemajuan batin, dll bukankah sama buruknya?
Atau lebih bagus lagi, kita bilang pekerjaan sebagai artis akan masuk neraka, seperti yang dikatakan Sang Buddha kepada Talaputta.
Quote from: Felix Thioris on 17 May 2008, 08:32:31 PM
Nampaknya riky terlalu serius berpikir, santai saja bung ;)
Jadi bagusnya gimana mengatasi keadaan ini, riky? Demo di depan RCTI, SCTV dan Indosiar ? Kirim Petisi ? Bakar ban di depan kantor RCTI , SCTV dan Indosiar ?? , atau lapor presiden republik Indonesia bahwa RCTI, SCTV dan Indosiar telah melanggar dengan menyiarkan film yang melecehkan agama Buddha ? 8)
gw suka nonton semua shaolin popeye, sun go kong, chi kung si dewa pengemis trus apa lagi yang lain ... lucu ceritanya dan menghibur ... mengapa tidak menikmati film tersebut, malah ruwet2 mau cari protes ? :hammer: Diri sendiri belum beres, ndak perlu berpikir terlalu jauh dl ... Urus diri sudah bener, baru urus yang lainnya. ok :)
Mau sungokong go sun kong apa deh..
Mank gw pkrin??
Kan just my comment doank...
Lagian kL mank gitu biarin aja deh...
Lu diem,mank gw bs apa????
Gk bisa apa2 kan???
Pandangan org luar ttg kita gw gk peduli...
Gw cuma peduli jgn ada slh persepsi ttg ajaran Buddha sendiri...
Byk org cm melihat dr "luar" saja...
Kesan pertama adalah awal dr sebuah cerita....
_/\_
Quote from: karuna_murti on 18 May 2008, 07:53:18 AM
Atau lebih bagus lagi, kita bilang pekerjaan sebagai artis akan masuk neraka, seperti yang dikatakan Sang Buddha kepada Talaputta.
boleh di share bro karuna?
_/\_
[at] riky : berarti kamu tidak konsisten terhadap apa yang kamu ucapkan .... ;D
_/\_
Kan gw da blg gw peduli jgn ada slh persepsi org thdp Ajaran Buddhis...
Ajaran Buddhis sama sekali tdk mengandung unsur kekerasan didlmnya....
Dgn adanya film2 seperti itu seakan2 umat buddha persepsinya seperti gitu...
Biksu tonjok2 an...aneh banget
_/\_
Quote from: andry on 18 May 2008, 12:35:41 PM
Quote from: karuna_murti on 18 May 2008, 07:53:18 AM
Atau lebih bagus lagi, kita bilang pekerjaan sebagai artis akan masuk neraka, seperti yang dikatakan Sang Buddha kepada Talaputta.
boleh di share bro karuna?
Talaputa Sutta (SN 42.2)
on one occasion the Blessed One was staying near Rajagaha in the Bamboo Grove, the Squirrel's Sanctuary.
Then Talaputa, the head of an acting troupe, went to the Blessed One and, on arrival, having bowed down to him, sat to one side. As he was sitting there he said to the Blessed One: "Lord, I have heard that it has been passed down by the ancient teaching lineage of actors that 'When an actor on the stage, in the midst of a festival, makes people laugh & gives them delight with his imitation of reality, then with the breakup of the body, after death, he is reborn in the company of the laughing devas.' What does the Blessed One have to say about that?"
"Enough, headman, put that aside. Don't ask me that."
A second time... A third time Talaputa, the head of an acting troupe, said: "Lord, I have heard that it has been passed down by the ancient teaching lineage of actors that 'When an actor on the stage, in the midst of a festival, makes people laugh & gives them delight with his imitation of reality, then with the breakup of the body, after death, he is reborn in the company of the laughing devas.' What does the Blessed One have to say about that?"
"Apparently, headman, I haven't been able to get past you by saying, 'Enough, headman, put that aside. Don't ask me that.' So I will simply answer you. Any beings who are not devoid of passion to begin with, who are bound by the bond of passion, focus with even more passion on things inspiring passion presented by an actor on stage in the midst of a festival. Any beings who are not devoid of aversion to begin with, who are bound by the bond of aversion, focus with even more aversion on things inspiring aversion presented by an actor on stage in the midst of a festival. Any beings who are not devoid of delusion to begin with, who are bound by the bond of delusion, focus with even more delusion on things inspiring delusion presented by an actor on stage in the midst of a festival. Thus the actor — himself intoxicated & heedless, having made others intoxicated & heedless — with the breakup of the body, after death, is reborn in what is called the hell of laughter. But if he holds such a view as this: 'When an actor on the stage, in the midst of a festival, makes people laugh & gives them delight with his imitation of reality, then with the breakup of the body, after death, he is reborn in the company of the laughing devas,' that is his wrong view. Now, there are two destinations for a person with wrong view, I tell you: either hell or the animal womb."
When this was said, Talaputa, the head of an acting troupe, sobbed & burst into tears. [The Blessed One said:] "That is what I couldn't get past you by saying, 'Enough, headman, put that aside. Don't ask me that.'"
"I'm not crying, lord, because of what the Blessed One said to me, but simply because I have been deceived, cheated, & fooled for a long time by that ancient teaching lineage of actors who said: 'When an actor on the stage, in the midst of a festival, makes people laugh & gives them delight with his imitation of reality, then with the breakup of the body, after death, he is reborn in the company of the laughing devas.'
"Magnificent, lord! Magnificent! Just as if he were to place upright what was overturned, to reveal what was hidden, to show the way to one who was lost, or to carry a lamp into the dark so that those with eyes could see forms, in the same way has the Blessed One — through many lines of reasoning — made the Dhamma clear. I go to the Blessed One for refuge, to the Dhamma, and to the Community of monks. May the Blessed One remember me as a lay follower who has gone to him for refuge, from this day forward, for life."
Quote from: chingik on 18 May 2008, 05:56:57 PM
Quote from: andry on 18 May 2008, 12:35:41 PM
Quote from: karuna_murti on 18 May 2008, 07:53:18 AM
Atau lebih bagus lagi, kita bilang pekerjaan sebagai artis akan masuk neraka, seperti yang dikatakan Sang Buddha kepada Talaputta.
boleh di share bro karuna?
Talaputa Sutta (SN 42.2)
on one occasion the Blessed One was staying near Rajagaha in the Bamboo Grove, the Squirrel's Sanctuary.
Then Talaputa, the head of an acting troupe, went to the Blessed One and, on arrival, having bowed down to him, sat to one side. As he was sitting there he said to the Blessed One: "Lord, I have heard that it has been passed down by the ancient teaching lineage of actors that 'When an actor on the stage, in the midst of a festival, makes people laugh & gives them delight with his imitation of reality, then with the breakup of the body, after death, he is reborn in the company of the laughing devas.' What does the Blessed One have to say about that?"
"Enough, headman, put that aside. Don't ask me that."
A second time... A third time Talaputa, the head of an acting troupe, said: "Lord, I have heard that it has been passed down by the ancient teaching lineage of actors that 'When an actor on the stage, in the midst of a festival, makes people laugh & gives them delight with his imitation of reality, then with the breakup of the body, after death, he is reborn in the company of the laughing devas.' What does the Blessed One have to say about that?"
"Apparently, headman, I haven't been able to get past you by saying, 'Enough, headman, put that aside. Don't ask me that.' So I will simply answer you. Any beings who are not devoid of passion to begin with, who are bound by the bond of passion, focus with even more passion on things inspiring passion presented by an actor on stage in the midst of a festival. Any beings who are not devoid of aversion to begin with, who are bound by the bond of aversion, focus with even more aversion on things inspiring aversion presented by an actor on stage in the midst of a festival. Any beings who are not devoid of delusion to begin with, who are bound by the bond of delusion, focus with even more delusion on things inspiring delusion presented by an actor on stage in the midst of a festival. Thus the actor — himself intoxicated & heedless, having made others intoxicated & heedless — with the breakup of the body, after death, is reborn in what is called the hell of laughter. But if he holds such a view as this: 'When an actor on the stage, in the midst of a festival, makes people laugh & gives them delight with his imitation of reality, then with the breakup of the body, after death, he is reborn in the company of the laughing devas,' that is his wrong view. Now, there are two destinations for a person with wrong view, I tell you: either hell or the animal womb."
When this was said, Talaputa, the head of an acting troupe, sobbed & burst into tears. [The Blessed One said:] "That is what I couldn't get past you by saying, 'Enough, headman, put that aside. Don't ask me that.'"
"I'm not crying, lord, because of what the Blessed One said to me, but simply because I have been deceived, cheated, & fooled for a long time by that ancient teaching lineage of actors who said: 'When an actor on the stage, in the midst of a festival, makes people laugh & gives them delight with his imitation of reality, then with the breakup of the body, after death, he is reborn in the company of the laughing devas.'
"Magnificent, lord! Magnificent! Just as if he were to place upright what was overturned, to reveal what was hidden, to show the way to one who was lost, or to carry a lamp into the dark so that those with eyes could see forms, in the same way has the Blessed One — through many lines of reasoning — made the Dhamma clear. I go to the Blessed One for refuge, to the Dhamma, and to the Community of monks. May the Blessed One remember me as a lay follower who has gone to him for refuge, from this day forward, for life."
Translate please???:))
_/\_
Maaf, Inggris sy agak jebol hehe..., pls rekan2 lain bantuin ya.
Gk ad yg b.ind ya???
_/\_
kalo baca pelan2 bisa lah nangkap intinya, dibantu ama kamus dikit2 juga nge.
Gw yg inggris jebol juga ga terlalu sulit memahaminya. hehe..
Hehehe...
_/\_
Satu ketika Yang Tercerahkan, sedang berdiam di dekat Rajagaha, di Hutan Bambu, tempat hidupnya binatang tupai [??] ;D
Lalu talaputa, si kepala rombongan pertunjukan, menghadap kepada yang Tercerahkan, bersujud dihadapannya dan kemudian duduk disatu sisi. Setelah dia duduk disatu sisi, Ia berkata kepada Yg Tercerahkan : "Bhante, Saya pernah mendengar kalo itu telah diturunkan melalui silsilah ajaran tua para aktor 'ketika aktor di atas panggung ditengah suatu festival, membuat banyak orang tertawa dan memberikan mereka kesenangan dengan acting nya, dan setelah berakhirnya tubuh, setelah kematian, mereka lahir di perkumpulan dewa tertawa.' apakah yg dimaksud dengan hal itu, bhante?"
"Cukup talaputa, lupakanlah hal itu, janganlah engkau bertanya kepadaku ttg hal itu."
untuk kedua dan ketiga kalinya talaputa bertanya lagi kpd yg tercerahkan : "Bhante, Saya pernah mendengar kalo itu telah diturunkan melalui silsilah ajaran tua para aktor 'ketika aktor di atas panggung ditengah suatu festival, membuat banyak orang tertawa dan memberikan mereka kesenangan dengan acting nya, dan setelah berakhirnya tubuh, setelah kematian, mereka lahir di perkumpulan dewa tertawa.' apakah yg dimaksud dengan hal itu, bhante?"
Baiklah Talaputa, aku tidak dapat menghentikanmu dengan ucapan 'Cukup talaputa, lupakanlah hal itu, janganlah engkau bertanya kepadaku ttg hal itu.' Karena itu saya akan menjawab pertanyaanmu.
yg dibawah ini binun terjemahinnya :P
Any beings who are not devoid of passion to begin with, who are bound by the bond of passion, focus with even more passion on things inspiring passion presented by an actor on stage in the midst of a festival. Any beings who are not devoid of aversion to begin with, who are bound by the bond of aversion, focus with even more aversion on things inspiring aversion presented by an actor on stage in the midst of a festival. Any beings who are not devoid of delusion to begin with, who are bound by the bond of delusion, focus with even more delusion on things inspiring delusion presented by an actor on stage in the midst of a festival. Thus the actor -- himself intoxicated & heedless, having made others intoxicated & heedless -- with the breakup of the body, after death, is reborn in what is called the hell of laughter. But if he holds such a view as this: 'When an actor on the stage, in the midst of a festival, makes people laugh & gives them delight with his imitation of reality, then with the breakup of the body, after death, he is reborn in the company of the laughing devas,' that is his wrong view. Now, there are two destinations for a person with wrong view, I tell you: either hell or the animal womb."
Ketika sabda tsb telah selesai di babarkan, talaputa, si kepala rombongan pertunjukan, tersedu-sedu dan meneteskan air mata. [Yang Tercerahkan bersabda:] "Itulah mengapa aku tidak dapat menghentikanmu dengan berkata, 'Cukup talaputa, 'Cukup talaputa, lupakanlah hal itu, janganlah engkau bertanya kepadaku ttg hal itu.' "
Juga binun terjemahkan :P
"I'm not crying, lord, because of what the Blessed One said to me, but simply because I have been deceived, cheated, & fooled for a long time by that ancient teaching lineage of actors who said: 'When an actor on the stage, in the midst of a festival, makes people laugh & gives them delight with his imitation of reality, then with the breakup of the body, after death, he is reborn in the company of the laughing devas.'
Silahkan yang lain terjemahkan lagi :P
"Magnificent, lord! Magnificent! Just as if he were to place upright what was overturned, to reveal what was hidden, to show the way to one who was lost, or to carry a lamp into the dark so that those with eyes could see forms, in the same way has the Blessed One -- through many lines of reasoning -- made the Dhamma clear. I go to the Blessed One for refuge, to the Dhamma, and to the Community of monks. May the Blessed One remember me as a lay follower who has gone to him for refuge, from this day forward, for life."
Sori inggris saya bener2 ancur, tp setidaknya saya berusaha membantu sebisa yg saya mampu.. semoga rekan2 yg lain bisa membantu memperbaiki lagi kalimat yg saya terjemahin,, dan menambahkan terjemahan yg blm bisa saya terjemahkan..
_/\_
^:)^ ^:)^ ^:)^
jadi begini loh : ada aktor, masih bersekutu dengan lobha, dosa, dan moha. dia membuat orang yang masih terikat lobha, dosa, dan moha, terinspirasi lebih lanjut dengan lobha, dosa, dan moha.
si aktor akan terlahir di alam neraka tertawa. tapi kalau si aktor berpandangan salah, dia beranggapan dia berbuat baik dan akan terlahir sebagai dewa tertawa, maka ada dua akibat yang mungkin terjadi kalau berpandangan salah : neraka, atau janin di rahim binatang.
contohnya gini, ada banyak artis kan? artis yang masih penghuni samsara, masih terikat ldm. kalo kita nonton mereka, biasanya kita akan terhanyut, terinspirasi oleh mereka.
tapi pada akhirnya Talaputta menjadi arahat, menjadi orang suci, karena dia menerima nasehat Sang Buddha.
back to topic,
kalo menurut gue, film sun go kong why not? coba bandingkan dengan kisah Jataka. walaupun sungokong film fiksi penuh kahyalan, tetapi pada intinya mengajarkan ajaran Buddha. Dan melalui film sungokong juga banyak orang non-Budhist yang sedikit demi sedikit mengenal agama Buddha.
kalau kurang setuju dengan film sungokong, bagaimana kalau buat film Ayat-Ayat Cinta versi agama Buddha? :))
Quote from: karuna_murti on 18 May 2008, 09:27:28 PM
jadi begini loh : ada aktor, masih bersekutu dengan lobha, dosa, dan moha. dia membuat orang yang masih terikat lobha, dosa, dan moha, terinspirasi lebih lanjut dengan lobha, dosa, dan moha.
si aktor akan terlahir di alam neraka tertawa. tapi kalau si aktor berpandangan salah, dia beranggapan dia berbuat baik dan akan terlahir sebagai dewa tertawa, maka ada dua akibat yang mungkin terjadi kalau berpandangan salah : neraka, atau janin di rahim binatang.
contohnya gini, ada banyak artis kan? artis yang masih penghuni samsara, masih terikat ldm. kalo kita nonton mereka, biasanya kita akan terhanyut, terinspirasi oleh mereka.
tapi pada akhirnya Talaputta menjadi arahat, menjadi orang suci, karena dia menerima nasehat Sang Buddha.
Jadi, Amingwati? Mas Jet Lee? Om Richard Gere? Bang Steven Seagal? :o
Padahal dulu aye sempat jadi pemain drama dan kepikiran mau jadi artis.. :hammer:
apaan nama Amingwati dibawa-bawa hahahaha tak gigit ntar hauahhahaha......
sebenarnya membawakan kebahagiaan kepada orang lain adalah sebuah dana namun terkadang seorang aartis dituntut untuk lebih nyentrik dan nyeleneh bahkan membawa unsur lobha,dosa,moha, seperti tampil sexy, politik yang dibuat canda atau bahkan Dhamma yang dibuat-buat seperti filem Sun Bo Kong itu.
sebenarnya oke aja menjadi artis namun bisa tidak dia menjaga sikap dan silanya?
Kebahagiaan Tertinggi adalah Mengenal Dhamma dan Mencapai Nibbana.
kata kuncinya "Thus the actor — himself intoxicated & heedless" :)
QuoteAny beings who are not devoid of passion to begin with, who are bound by the bond of passion, focus with even more passion on things inspiring passion presented by an actor on stage in the midst of a festival. Any beings who are not devoid of aversion to begin with, who are bound by the bond of aversion, focus with even more aversion on things inspiring aversion presented by an actor on stage in the midst of a festival. Any beings who are not devoid of delusion to begin with, who are bound by the bond of delusion, focus with even more delusion on things inspiring delusion presented by an actor on stage in the midst of a festival. Thus the actor -- himself intoxicated & heedless, having made others intoxicated & heedless -- with the breakup of the body, after death, is reborn in what is called the hell of laughter. But if he holds such a view as this: 'When an actor on the stage, in the midst of a festival, makes people laugh & gives them delight with his imitation of reality, then with the breakup of the body, after death, he is reborn in the company of the laughing devas,' that is his wrong view. Now, there are two destinations for a person with wrong view, I tell you: either hell or the animal womb."
Mahluk yang tidak bebas sama sekali dari keinginan, yang terikat belenggu keinginan, memusatkan keinginan lebih jauh dengan mengilhami keinginan yang ditampilkan oleh aktor di panggung, di tengah festival. Mahluk yang tidak bebas sama sekali dari kebencian, yang terbelenggu kebencian, memusatkan kebencian lebih jauh dengan mengilhami kebencian yang ditampilkan oleh aktor di panggung, di tengah festival. Mahluk yang tidak bebas sama sekali dari delusi (kegelapan bathin), yang terbelenggu oleh delusi, memusatkan delusi lebih jauh dengan mengilhami delusi yang ditampilkan oleh aktor di panggung, di tengah festival.
Oleh karena itu, aktor itu, mabuk dan lalai, dengan membuat orang lain mabuk dan lalai, setelah terurainya tubuh, setelah kematian, akan terlahir kembali di tempat yang dinamakan neraka tawa. Tetapi jika dia berpandangan seperti ini, "ketika aktor di panggung, di tengah festival, membuat orang-orang tertawa dan memberikan kesenangan dengan peniruan kenyataan, maka setelah tubuh terurai, setelah kematian, dia akan terlahir di antara deva tertawa", maka itu adalah pandangan salahnya. Ada 2 tujuan bagi orang dengan pandangan salah, saya beritahu: antara neraka atau rahim binatang.
Quote"I'm not crying, lord, because of what the Blessed One said to me, but simply because I have been deceived, cheated, & fooled for a long time by that ancient teaching lineage of actors who said: 'When an actor on the stage, in the midst of a festival, makes people laugh & gives them delight with his imitation of reality, then with the breakup of the body, after death, he is reborn in the company of the laughing devas.'
Silahkan yang lain terjemahkan lagi Tongue
"Magnificent, lord! Magnificent! Just as if he were to place upright what was overturned, to reveal what was hidden, to show the way to one who was lost, or to carry a lamp into the dark so that those with eyes could see forms, in the same way has the Blessed One -- through many lines of reasoning -- made the Dhamma clear. I go to the Blessed One for refuge, to the Dhamma, and to the Community of monks. May the Blessed One remember me as a lay follower who has gone to him for refuge, from this day forward, for life."
'Saya tidak menangis, Yang mulia, karena apa yang telah dikatakan oleh Bhagava kepada saya, tetapi hanya karena saya telah dibohongi, ditipu dan dibodohi sejak waktu yang lama oleh ajaran turun temurun dari aktor yang mengatakan, "ketika aktor di panggung, di tengah festival, membuat orang2 tertawa dan memberikan kesenagan dengan peniruan kenyataan, maka setelah tubuh terurai, setelah kematian, dia akan terlahir di antara deva tertawa"'
'Luar biasa, Yang mulia, seperti halnya menegakkan yang terbalik, menemukan yang tersembunyi, menunjukkan jalan bagi orang yang tersesat, atau membawa lampu di dalam kegelapan agar mereka yang memilki mata melihat, begitu juga Bhagava, dengan kata2 pemikirannya membuat Dhamma jelas. Saya berlindung pada Bhagava, Dhamma dan Sangha. Semoga Bhagava mengingat saya sebagai pengikut perumah tangga yang telah berlindung padanya, mulai hari ini, seumur hidup'
Di sini bukanlah masalah profesi sebagai aktornya, tetapi adalah 'pengembangan' Lobha, Dosa & Moha yang dilakukan dalam menjalankan profesi sebagai aktor, juga pengaruh Lobha, Dosa & Moha kepada penonton. Ini seperti sinetron yang suka melebih-lebihkan keadaan, menampilkan hal2 yang tidak bermakna yang secara menakjubkan diminati dan diikuti oleh para pemirsa.
Tetapi, tidak semua aktor/aktris juga memfokuskan film pada Lobha, Dosa & Moha. Ada yang lebih bersifat inspiratif, ada juga yang menggunakan sebagai sarana menyampaikan pesan, ataupun ide2 kreatif.
Mengenai film apa yang boleh beredar ato tidak, itu kembali lagi pada manusianya masing2. Rasanya Buddhis tidak perlu dihebohkan oleh film apapun, seperti 'Da Vinci's Code' pernah menghebohkan kalangan tertentu. Semua juga kembali pada pikiran. Rasanya Sesame Street pun tidak cocok disiarkan di kalangan Paedophilia.
QuoteRasanya Sesame Street pun tidak cocok disiarkan di kalangan Paedophilia.
Koq bisa kepikiran yah?
_/\_
Quote from: Sumedho on 19 May 2008, 09:03:20 AM
kata kuncinya "Thus the actor — himself intoxicated & heedless" :)
Kata2 kunci yang paling penting malah terlewatkan.. ;D :jempol:
Sebagian besar dari kita itu aktor dan aktris..
Bukankah dunia ini adalah panggung sandiwara? ^-^
Panggung sandiwara??
nyanyi pula dia :hammer:
Dunia ini panggung sandiwara cerita yg tak pernah dirubah...
Hahaha
_/\_
Ahmad Albar is de bes.
Back to topik.
Back to topic
_/\_
Quote from: karuna_murti on 19 May 2008, 08:00:47 PM
QuoteRasanya Sesame Street pun tidak cocok disiarkan di kalangan Paedophilia.
Koq bisa kepikiran yah?
Bisa saja selama kita berpikir secara universal. 'kan udah ada contoh orang2 picik dan berwawasan sempit yang merasa dirinya wakil Tuhan dan membuat peraturan berdasarkan pemikirannya seenak perut, tanpa memikirkan orang2 di luar komunitas & lingkungannya. Nah, kita tinggal mencontoh
kebalikannya aja, gampang 'kan!? ;D
_/\_
A Vision of Bodhisattvas in All Forms
All the bodhisattvas there with Buddha in the Jeta Grove were illuminated by the light of the Buddha's concentration.
At that point countless rays of light came forth from the bodies of all the bodhisattvas there with Buddha.
From these rays of light came forth countless multitudes of emanated bodhisattvas, in bodies adapted to the development of all beings.
These emanated bodhisattvas pervaded the cosmos, enlightening, developing, and guiding sentient beings by means of all the techniques at the command of bodhisattvas.
These emanated forms projected by the bodhisattvas pervaded all the realms of sentient beings in all oceans of worlds, yet the bodhisattvas did not leave the presence of the Buddha.
Without leaving the presence of the Buddha, some of the bodhisattvas appeared in the form of great buddhas with their retinues. Some appeared in the form of beggars. Some appeared in the form of priests. Some wore various emblems on their bodies.
Some appeared in the form of scholars, scientists, and doctors. Some appeared in the form of merchants.
Some appeared in the form of ascetics. Some appeared in the form of entertainers.
Some appeared in the form of religious people. Some appeared in the form of masters of various arts and crafts and technologies.
In their various forms, the bodhisattvas were seen to come to all villages, towns, cities, communities, districts, nations.
The bodhisattvas did their enlightening work according to the needs of the time and the place, modifying forms and outward appearances, modifying their language and tone and deportment. In this way they carried out the practices of bodhisattvas, which are like a cosmic network of all worlds illuminating all the practical arts and displaying a vast array of all realities and radiating the light of all truths.
(Gandavyuha, Avatamsaka Sutra)
_/\_
The Siddha Wanderer
At atas...
Translate donk...
_/\_